Let Your Voice Be Heard The Life and Times of Pete Seeger by Anita Silvey

Clar­i­on Books, 2016

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Let Your Voice Be Heard

The Life and Times of Pete Seeger

“What chil­dren’s book changed the way you see the world?”

Ani­ta Sil­vey asked this ques­tion to more than one hun­dred of our most respect­ed and admired lead­ers in soci­ety, and she learned about the books that shaped financiers, actors, singers, ath­letes, activists, artists, com­ic book cre­ators, nov­el­ists, illus­tra­tors, teachers …

The lessons they recall are inspir­ing, instruc­tive, and illu­mi­nat­ing. And the books they remem­ber res­onate as influ­en­tial read­ing choic­es for fam­i­lies. This book, with its full col­or excerpts of beloved chil­dren’s books, is a trea­sury and a guide: a col­lec­tion of fas­ci­nat­ing essays and an excel­lent gift choice for families.

This book is ide­al for fam­i­ly dis­cus­sions, book clubs, and One Com­mu­ni­ty Reads pro­grams. All ages of read­ers will enjoy talk­ing about the book that has most influ­enced their lives … even six-year-olds!

Awards and Attention

"This Machine Surrounds Hate and Forces It to Surrender," imprinted on Pete Seeger's banjo
“This Machine Sur­rounds Hate and Forces It to Sur­ren­der,”
imprint­ed on Pete Seeger’s banjo

Reviews

  “This infor­ma­tive biog­ra­phy intro­duces folksinger and activist Pete Seeger, whose priv­i­leged fam­i­ly gave him a love of music, an aware­ness of social inequities, and a deter­mi­na­tion to chal­lenge injus­tices. Men­tored by Alan Lomax and Woody Guthrie, he played ban­jo while singing tra­di­tion­al and orig­i­nal songs. After serv­ing in WWII, he per­formed with the Weavers, who were tar­get­ed by the House Un-Amer­i­can Activ­i­ties Com­mit­tee in the 1950s. Seeger’s prin­ci­pled response to the com­mit­tee is leg­endary, but more impor­tant in the long run was his day-to-day life dur­ing those years. Black­list­ed, he criss­crossed the coun­try play­ing at schools and col­leges, build­ing a fan base of young ide­al­ists who loved folk songs. And the rest is his­to­ry, record­ed here in suc­cinct accounts of Seeger’s activism in Viet­nam War protests, the civ­il rights move­ment, and the envi­ron­men­tal cleanup of the Hud­son Riv­er. Illus­trat­ed with pho­tos, this well-researched account of Seeger’s life makes excel­lent use of pri­ma­ry source mate­ri­als. Sil­vey may not be the first to call Seeger “the John­ny Apple­seed of folk music,” but she makes a strong case for the title and, along the way, explains some facets of Amer­i­can his­to­ry that may be new to chil­dren. A live­ly, unique con­tri­bu­tion to the biog­ra­phy shelves.” (Book­list, starred review)

“Pete Seeger became the most impor­tant folk singer of the twen­ti­eth and twen­ty-first cen­turies. But he might have cho­sen a very dif­fer­ent path.” In addi­tion to abun­dant pri­ma­ry source mate­r­i­al, Sil­vey makes ter­rif­ic use of her access to her sub­ject, who died in 2014 at age nine­ty-four, and tells his some­times com­pli­cat­ed sto­ry with clar­i­ty and gus­to. To elu­ci­date a career span­ning sev­en decades, Sil­vey cov­ers Seeger’s priv­i­leged, mild­ly eccen­tric upbring­ing; his tri­al-and-error path to folk singing (he first tried jour­nal­ism, then paint­ing — both unsuc­cess­ful­ly); his com­plex friend­ship with Woody Guthrie, who taught him how to become a per­former, not just a singer; his ris­ing for­tunes as a mem­ber of the chart-top­ping folk group the Weavers; his tar­get­ing dur­ing the Com­mu­nist witch hunts of the 1950s (being called to tes­ti­fy before the House Un-Amer­i­can Activ­i­ties Com­mit­tee), which sank the Weavers’ careers; and his sub­se­quent rein­ven­tion as a solo artist who enter­tained all ages. Rushed here are Seeger’s last decades (when he became a cru­sad­er for the envi­ron­men­tal move­ment), but this is a mere quib­ble about a book whose author has an expert’s ear for the inter­ests of her intend­ed audi­ence (includ­ing that fact that Seeger once got paid in ham­burg­ers). Scat­tered through­out are black-and-white pho­tos, many of which cap­ture Seeger’s charis­ma and the joy he took in music. Append­ed with exten­sive back mat­ter, includ­ing source notes, a bib­li­og­ra­phy, and an index.” (The Horn Book)

“In her admir­ing por­trait of Pete Seeger (1919–2014), Sil­vey presents clear­ly the folk singer and activist’s pas­sion­ate com­mit­ment to music and social jus­tice. After a priv­i­leged upbring­ing and two years at Har­vard, Seeger “acquired an ency­clo­pe­dic reper­toire of folk songs” while work­ing at the Archive of Amer­i­can Folk Song. He began play­ing ban­jo with Woody Guthrie in 1940 and devot­ed his life to singing for caus­es he con­sid­ered just: orga­nized labor, civ­il rights, and envi­ron­men­tal and anti­war cam­paigns. After estab­lish­ing Seeger’s suc­cess as a singer, Sil­vey devotes a chap­ter to his com­mit­ment to the envi­ron­ment (specif­i­cal­ly, clean­ing up the Hud­son Riv­er), then jumps from the ear­ly 1970s to the 2009 inau­gu­ra­tion of Pres­i­dent Oba­ma. Sil­vey pro­vides well-sup­port­ed, well-round­ed con­text for Seeger’s moral stances, per­son­al life (includ­ing his wife’s sup­port­ive role as his man­ag­er), and endur­ing claim to folk-song fame with such influ­en­tial con­tri­bu­tions as “Abiy­oyo,” “Where Have All the Flow­ers Gone?” “Guan­tanam­era,” “Michael, Row Your Boat Ashore,” and “We Shall Over­come.” Archival pho­tographs, source notes, and a bib­li­og­ra­phy are includ­ed.” (Pub­lish­ers Week­ly)

“Sil­vey traces the influ­ences and hap­pen­ings that would take Pete Seeger, born to clas­si­cal musi­cian par­ents, from a place of wealth down to the union halls, small towns, and nev­er-end­ing cru­sade against injus­tice. Seeger is shown learn­ing from the likes of Alan Lomax and Woody Guthrie and com­ing to under­stand eco­nom­ic inequal­i­ty, work­ers’ rights, and civ­il rights. To bring the mes­sage of folk music and peace to a greater audi­ence became Seeger’s — and by exten­sion this book’s — quest. Through per­son­al inter­views, as well as pri­ma­ry source mate­ri­als, Sil­vey cre­ates a flow­ing biog­ra­phy for the mid­dle school audi­ence. She suc­ceeds in por­tray­ing the strength of the singer’s con­vic­tions, even in the face of adver­si­ty, which includ­ed a 10-year per­se­cu­tion by the House Un-Amer­i­can Activ­i­ties Com­mit­tee. Each chap­ter begins with a verse from Seeger’s reper­toire of music — some orig­i­nal and oth­ers ren­di­tions of tra­di­tion­al songs. VERDICT The sub­ject is pre­sent­ed in such a way that read­ers will feel close to Seeger and be inspired to pur­sue more infor­ma­tion on him and the caus­es he fought for.” (School Library Jour­nal)

“Folk singer Pete Seeger (1919–2014) per­formed live for mil­lions of peo­ple, but how many pre­teens know of him now? With the engag­ing, well-illus­trat­ed biog­ra­phy Let Your Voice Be Heard: The Life and Times of Pete Seeger, author Ani­ta Sil­vey explains how this unlike­ly folk-music hero turned sin­ga­longs into social change. One of his col­leagues in the Almanac Singers once said of Seeger: “He wasn’t the great­est ban­jo play­er, he didn’t have the great­est voice, but there was some­thing catchy about him.” Sil­vey locates that appeal in Seeger’s enthu­si­asm for his audi­ences and the folk songs he per­formed. Instead of flood­ing read­ers with details, she empha­sizes Seeger’s men­tors, most influ­en­tial songs (such as “If I Had a Ham­mer” and “Turn, Turn, Turn”), and the move­ments he helped gal­va­nize. Seeger’s pro-labor activ­i­ties and one­time mem­ber­ship in the Com­mu­nist Par­ty got him sum­moned before the House Un-Amer­i­can Activ­i­ties Com­mit­tee, and his active roles in the civ­il rights and anti­war strug­gles of the ’60s brought him fur­ther trou­ble. But he kept on tak­ing on big caus­es, most vis­i­bly with a cleanup cam­paign that includ­ed help­ing kids to sail on — and bet­ter appre­ci­ate — the Hud­son Riv­er. Per­haps a young read­er will be moved to write a folk song about him. (Wash­ing­ton Post)